
Andrew McPhail
Screen Tasmania is the Tasmanian Government agency responsible for developing Tasmania’s screen industry through the production of films, television drama and documentaries and digital media. Screen Tasmania staff provide a bespoke service to industry with a clear aim of increasing production activity to create jobs and attract investment to Tasmania. It supports a broad range of productions and strives to be innovative and flexible in a rapidly changing screen industry. In particular, Screen Tasmania’s Digital Media Fund provides investment for games, web content and animations.. Screen Tasmania is also committed to funding factual entertainment productions and has a proud history of supporting successful documentaries.

Screen Tasmania
Business and Production Investment Manager
Kristian Moliere
Formed in March 2011, Triptych Pictures slate encompasses television, feature film and multi-media projects, with the development and production of factual and drama television series forming the cornerstone of the company’s vision. Coming from diverse yet related backgrounds, the Triptych producers bring a wealth of production experience and knowledge to the table, each having worked in the industry professionally for over 15 years, ideally situating the company for domestic and international co-production opportunities.
Producing credits include feature films, Boxing Day, Lucky Country, The Babadook (Sundance 2014), The Dead Speak Back, Touch, with co-producing credits on Shut Up Little Man! an Audio Misadventure (Sundance 2011) and One Eyed Girl; factual television series producing credits include mY Generation (2008 SBS), Croc College (2013 ABC1) and Jillaroo School (2014 ABC1), as well as the multi-media multi-platform project Stasis, currently in the first stage of production.

Triptych Pictures
Producer
Richard Moore
Umbrella Entertainment has been in operation since 2001. With a catalogue of over 1,500 titles its a 100% Australian owned and operated distributor of filmed entertainment specializing in a range of content for theatrical, home entertainment, TV broadcasting and Video on Demand.

Umbrella Entertainment Pty Ltd
Theatrical Distribution Manager
David Morrison
Showrunner Productions is a wholly owned subsidiary of the publicly listed agency, Adcorp Australia. We produce factual and drama series for the international markets, as well as local stories and concepts for Australian broadcasters. Our team is highly experienced and motivated to produce quality television in an ever changing market.

Showrunner Productions
CEO
Katy Morrison
Chemical Media is an independent production company specialising in factual entertainment, travel & lifestyle programming.
Established by the team which successfully brought the Lonely Planet brand to television, Chemical’s founders have made hundreds of hours of programming for broadcasters such as Discovery Channel, National Geographic, Al Jazeera English, Channel 4 and SBS.
Along the way we’ve produced shows on everything from contemporary British gangsters to traditional Chinese medicine, handled location shoots from Alaska to Arnhem Land, been hailed by prime ministers, denounced as people-smugglers, and frequently missed the last bus home.
Focusing on strong storytelling and intelligent entertainment, the Chemical team has created factual documentaries, returnable travel series, break-through social media campaigns and occasionally even impressed our mums.
With Australian roots and a global outlook, we’ve forged strategic film finance relationships with partners around the world and tailored unique content for brands such as Nokia, Tourism Australia and American Express.

Chemical Media
Multimedia Producer
Paul Myers
Foxtel is one of Australia’s most progressive and dynamic media companies, directly employing around 2,500 people, and delivering a diverse subscription television service to both regional and metropolitan areas over cable, satellite and broadband distribution.
We offer a better entertainment experience every day to each one of our 2.5 million subscribing homes through delivery of exclusive and inspiring programming across all genres, the world’s most popular channel brands, and investment in high quality local content.
As constant champions of innovation we have brought our customers:
•The iQ personal video recorder
•Australia’s largest HD channel offering, with 26 dedicated channels
•FOX FOOTY Channel – for true AFL fans
•The LONDON 2012 Olympic Games over 8 dedicated HD channels, plus a tablet app
•Live and catch up TV on your tablet or other mobile device with Foxtel Go
•Flexible access with our internet TV service Foxtel Play
In addition, the subscription television sector invests around $700 million every year in new and original Australian content.
Since creating a new national subscription television service, through the merging of Foxtel and Austar in 2012, Foxtel directly employs around 2,500 people and a further 2,000 workers are indirectly engaged in sales and installation services nationally.
The Foxtel Television Centre at North Ryde in Sydney is the headquarters of Foxtel's national subscription television operations and houses Foxtel’s television studios, broadcast operations and cable and satellite transmission facilities. Foxtel also operates two Customer Solutions Centres based at Moonee Ponds in Melbourne, and Robina on the Gold Coast.
Foxtel is owned by Telstra Corporation Ltd (50%) and The News Corporation Ltd (50%).
www.aetv.com.au/
www.biographychannel.com.au/
www.citv.com.au
www.historychannel.com.au

FOXTEL
Channel Operations Manager Factual Channels
Catherine Nebauer
Screen Queensland's role is to develop and support the local screen industry, attract production to Queensland, and celebrate an active screen culture across the State. Locally, the State is a growing force in Australia's film industry landscape and a key contributor to the creative health of our nation. Globally, Queensland is known for its stunning locations, talented crew, and attractive financial incentives.

Screen Queensland
Production Investment & Business Development Executive
Jenny Neighbour
Sydney Film Festival is one of the world's longest-running film festivals, and is a major event on the NSW cultural calendar. The 12-day festival screens feature films, documentaries, short films and animation from around the world in venues across the city including the State Theatre, Event Cinemas George Street, Dendy Opera Quays, the Hayden Orpheum Picture Palace in Cremorne and the Art Gallery of NSW. SFF also takes place at Apple Store Sydney, SFFTV @ Martin Place and Grasshopper Lounge.

Sydney Film Festival
Programs Manager & Documentary Programmer
Andrew Ogilvie
Electric Pictures is one of Australia’s most respected producers of factual programming for the international market. We have offices in Perth, Sydney, Melbourne and Toronto.
Since 1992, the company has earned a reputation for the production of high quality series and one off specials in a range of genres, including History, Science and International Affairs.
We have extensive experience with co-productions and have been commissioned by many of the world’s major factual broadcasters including: the ABC, Arte, BBC, Ch4, Discovery Channel, History Channel (UK), ITV, NHK, National Geographic, NDR, PBS, RTE, SBS, Sky, and ZDF.
Executive Producers, Andrew Ogilvie and Andrea Quesnelle and Head of Development, Greg Colgan will represent the company at this year’s DocWeek.
Please drop by and see us in the P2P Lounge at anytime, no appointment is necessary.

Electric Pictures
CEO and Executive Producer
Alyssa Orvis
Screen Australia is the key Federal Government direct funding body for the Australian screen production industry. Its functions are to support and promote the development of a highly creative, innovative and commercially sustainable Australian screen production industry. In addition Screen Australia administers the Government's Producer Offset and International Co-production Program to increase the commercial sustainability of production in Australia.
Screen Australia was created under the Screen Australia Act 2008 and from 1 July 2008 took over the functions and appropriations of its predecessor agencies: the Australian Film Commission (AFC), the Film Finance Corporation Australia (FFC) and Film Australia Limited.
